I've been doing a few little experiments and studies with mixed medias lately in hopes of discovering weird new ways to combine materials. Sometimes the studies turn into piles of mushy garbage art. Sometimes they come out pretty cool.
These studies aren't really regimented or thought-out--when boredom strikes and I am trying to procrastinate cleaning the house, I go hang out in my studio and start grabbing things from a pile of project scraps next to my desk. There were a lot of fun-sized mat board bits hanging around from matting some pictures. Aching to stay away from sweeping and vacuuming, I began tossing a bunch of different media onto the boards.
These three studies are all efforts to explore ways to control the textural medium, enhance a sense of depth with the texture, and to use colored pencil, marker, and pen to add interest and color on top of the acrylic paint.
Vast experimentation with alternative and unconventional mediums helped to achieve the sense of depth in the details of my latest painting, Salt Fingers. Made up of four 14"x14" canvases, this tetraptych features heavy texture, translucent layering, metallics, interference colors, sheen variety, and eroding swaths of color.