Mountainous landscapes come into my works often--doubtlessly due to growing up on the Rocky Mountain foothills in Colorado--and two recent visits back to those familiar peaks greatly inspired my use of texture and composition in my latest work, Ancient Story. I find the stacking of elements in atmospheric perspective so interesting, and it is a beauty wholly missed here in flatland Florida (although there are, of course, other wonders of loveliness). Seeing a valley, then hills, then the clustered monoliths of city architecture, then a mountain range, all staggered up to the sky is such an expansive and finite experience.
Earlier this year, Dave and I drove up to the historic PAL theater in Vidalia, GA to see our friend Brian Ernst achieve one of his dreams--to record a live, two-disc album. I think that Brian had mentioned his plans for this album literally every single time we saw him for the past four years, and it was always clear that his passion for this project was immense.
When Brian asked me to design the artwork for his first live album Any Given Saturday, I wanted to showcase all of the tools that help make his performances so enthralling. One of the coolest things about watching Brian perform live is seeing him expertly switch instruments like a woogly octopus, stomping on his looping pedal while simultaneously dropping a didgeridoo on its stand and swinging a guitar over his head.
In a very quick hour, the design concept went from a sketch and a conversation to hurriedly tossing a bright green sleeping bag (improvised green screen) in the driveway and photographing each of Brian's many soundmakers. The resulting album artwork features every instrument Brian used at the time of the live recording. As a constantly travelling musician, he tends to have instrument turnover from tour to tour; I love the idea that album captures a unique moment in Brian's collection of tools both through the music and in the design.